Corti focuses on the meaning and importance of the act of child
murder in literary treatments of the ancient myth. A projection of
commonly experienced emotions that are often repressed and denied,
Medea is the central figure in a tragedy encompassing the
psychology of abusive individuals as well as the destructive
quality of patriarchal institutions.
In the Euripidean prototype of the tragedy, child murder exposes
the ironic issue of archaic communal values, and in the version by
the Roman Seneca, disaster results from decadent emotional excess,
but Corti asserts that the ancient custom of exposing superfluous
infants is relevant to the psychology of both works. The
abandonment of infants and persecution of witches are essential
elements in the context of Pierre Corneille's vision of Medea as
absolute authority imposing order on the petty rivalries of
aristocratic children. In the pessimistic drama of the 19th century
Austrian poet Franz Grillparzer, the punitive pedagogy of abusive
parents, the disruptive effects of repressed memory, and the
persecutory potential of group psychology function together as a
constellation of interdependent pathologies. Finally, Corti asserts
that the extraordinary number of 20th-century writers who have
presented versions of the myth of Medea suggests that the drama of
child murder is peculiarly relevant to the human predicament in our
own age. An important work for students, scholars, and other
researchers concerned with myth, world literature, cultural and
women's studies, gender, and the psychology of abuse.
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