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Moral Spectatorship - Technologies of Voice and Affect in Postwar Representations of the Child (Paperback)
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Moral Spectatorship - Technologies of Voice and Affect in Postwar Representations of the Child (Paperback)
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Why were theories of affect, intersubjectivity, and object
relations bypassed in favor of a Lacanian linguistically oriented
psychoanalysis in feminist film theory in the 1980s and 1990s? In
Moral Spectatorship, Lisa Cartwright rethinks the politics of
spectatorship in film studies. Returning to impasses reached in
late-twentieth-century psychoanalytic film theory, she focuses
attention on theories of affect and object relations seldom
addressed during that period. Cartwright offers a new theory of
spectatorship and the human subject that takes into account
intersubjective and affective relationships and technologies
facilitating human agency. Seeking to expand concepts of
representation beyond the visual, she develops her theory through
interpretations of two contexts in which adult caregivers help
bring children to voice. She considers several social-problem
melodramas about deaf and nonverbal girls and young women,
including Johnny Belinda, The Miracle Worker, and Children of a
Lesser God. Cartwright also analyzes the controversies surrounding
facilitated communication, a technological practice in which
caregivers help children with communication disorders achieve
"voice" through writing facilitated by computers. This practice has
inspired contempt among professionals and lay people who charge
that the facilitator can manipulate the child's speech.For more
than two decades, film theory has been dominated by a model of
identification tacitly based on the idea of feeling what the other
feels or of imagining oneself to be the other. Building on the
theories of affect and identification developed by Andre Green,
Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright
develops a model of spectatorship that takes into account and
provides a way of critically analyzing the dynamics of a different
kind of identification, one that is empathetic and highly
intersubjective.
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