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Sapphism on Screen - Lesbian Desire in French and Francophone Cinema (Hardcover)
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Sapphism on Screen - Lesbian Desire in French and Francophone Cinema (Hardcover)
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This book sets out to investigate and theorise mediations of
lesbian desire in a substantial corpus of films (spanning the
period 1936-2002) by male and female directors working in France
and also in French-speaking parts of Belgium, Canada, Switzerland
and Africa. The corpus is unique in never before having been
assembled, and represents a valuable tool not just for researchers
but also for university teachers creating courses both on
lesbianism in film and on sexuality in French cinema. A fair number
of the 89 texts treated are mainstream films which have achieved
high critical acclaim and/or high viewing figures: to cite just a
few examples, Henri-Georges Clouzot's "Quai des orfA]vres" (1947),
Louis Malle's "Milou en mai" (1989), Claude Chabrol's "La
CA(c)rA(c)monie" (1995), AndrA(c) TA(c)chinA(c)'s "Les Voleurs"
(1995), and FranAois Ozon's "Huit femmes" (2001). As such, they
have contributed to hegemonic constructions of and debate on
(female) homosexuality, in a century wherein sexed/ gendered
identity, including sexual orientation, has become a preeminent
factor in the constitution of subjectivity. While such
constructions and debate have a French-language specificity, and
have been produced in distinct socio-political and cultural
contexts, this study also engages in analytical comparisons with
relevant anglophone films and their own distinct discursive
contexts.
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