Many works now considered classics were scorned by critics when
they were first published. While some of these works received
little attention when initially released, others were enormously
popular. So too, there is a large body of popular American fiction
that is only now beginning to receive critical attention. This book
examines the growing respect given to American fiction that was
scorned by cultural gatekeepers such as librarians and educators,
though these works were widely read by the American public.
The volume looks at such scorned literature as dime novels,
comic books, juvenile fiction, romances novels, and pulp magazines.
Expert contributors discuss what these works say about the mores
and morals of the people who so avidly read them and the values of
those who sought to censor them. The book covers the period from
the 1830s to the 1950s and shows how popular literature reflected
such concerns as feminism and anti-feminism, notions of the heroic
and unheroic, and violence and racism. In doing so, the volume
helps fill a gap in scholarship about literature that was clearly
important to a large number of readers.
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