This lively and wide-ranging study argues that English
Literature as typically understood has not been English, but
tailored to UK state needs, and that it has blocked a literature of
England, which has nevertheless recently become irresistible. Going
back through twentieth century literary and cultural history, it
shows that this re-emergence has risen unevenly since the 1910s,
and has struggled against the foundations of the discipline, which
it sees in the reaction against the French Revolution. Where after
1815 English Literature helped to export a certain idea of a
pre-existing canon in empire, these conditions have now decayed to
the extent that a re-emergence of a 'placed' literature of England
is inevitable. This study relates the emergence of England in
literature to the constitutional changes which have unwound in
devolution, and shows that these intimately related moments of
rupture will have widespread impact on the Humanities.
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