Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Paperback)
Loot Price: R968
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Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Paperback)
Series: Remakes, Reboots, and Adaptations
Expected to ship within 12 - 17 working days
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When adapting Shakespeare's comedies, cinema and television have to
address the differences and incompatibilities between early modern
gender constructs and contemporary cultural, social, and political
contexts. Screening Gender in Shakespeare's Comedies: Film and
Television Adaptations in the Twenty-First Century analyzes methods
employed by cinema and television in approaching those aspects of
Shakespeare's comedies, indicating a range of ways in which
adaptations made in the twenty-first century approach the problems
of cultural and social normativity, gender politics, stereotypes of
femininity and masculinity, the dynamic of power relations between
men and women, and social roles of men and women. This book
discusses both mainstream cinematic productions, such as Michael
Radford's The Merchant of Venice or Julie Taymor's The Tempest, and
more low-key adaptations, such as Kenneth Branagh's As You Like It
and Joss Whedon's Much Ado About Nothing, as well as the three
comedies of BBC ShakespeaRe-Told miniseries: Much Ado About
Nothing, The Taming of the Shrew, and A Midsummer Night's Dream.
This book examines how the analyzed films deal with elements of
Shakespeare's comedies that appear subversive, challenging, or
offensive to today's culture, and how they interpret or update
gender issues to reconcile Shakespeare with contemporary cultural
norms. By exploring tensions and negotiations between early modern
and present-day gender politics, the book defines the prevailing
attitudes of recent adaptations in relation to those issues, and
identifies the most popular strategies of accommodating early
modern constructs for contemporary audiences.
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