The first major work to examine Joseph Cornell's relationship to
American modernism Joseph Cornell (1903-1972) is best known for his
exquisite and alluring box constructions, in which he transformed
found objects-such as celestial charts, glass ice cubes, and
feathers-into enchanted worlds that blur the boundaries between
fantasy and the commonplace. Situating Cornell within the broader
artistic, cultural, and political debates of midcentury America,
this innovative and interdisciplinary account reveals enchantment's
relevance to the history of American modernism. In this beautifully
illustrated book, Marci Kwon explores Cornell's attempts to convey
enchantment-an ephemeral experience that exceeds rational
explanation-in material form. Examining his box constructions,
graphic design projects, and cinematic experiments, she shows how
he turned to formal strategies drawn from movements like
Transcendentalism and Romanticism to figure the immaterial. Kwon
provides new perspectives on Cornell's artistic and graphic design
career, bringing vividly to life a wide circle of acquaintances
that included artists, poets, writers, and filmmakers such as Mina
Loy, Lincoln Kirstein, Frank O'Hara, and Stan Brakhage. Cornell's
participation in these varied milieus elucidates enchantment's
centrality to midcentury conversations about art's potential for
power and moral authority, and reveals how enchantment and
modernity came to be understood as opposing forces. Leading
contemporary artists such as Betye Saar and Carolee Schneemann
turned to Cornell's enchantment as a resource for their own
anti-racist, feminist projects. Spanning four decades of the
artist's career, Enchantments sheds critical light on Cornell's
engagement with many key episodes in American modernism, from
Abstract Expressionism, 1930s "folk art," and the emergence of New
York School poetry and experimental cinema to the transatlantic
migration of Symbolism, Surrealism, and ballet.
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