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The City and the Stage - Performance, Genre, and Gender in Plato's Laws (Hardcover)
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The City and the Stage - Performance, Genre, and Gender in Plato's Laws (Hardcover)
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What role did the performance of poetry, music, song, and dance
play in the political life of the ancient city? How has philosophy
positioned itself and articulated its own ambitions in relation to
the poet tradition? The Polis and the Stage poses such questions
through a reading of Plato last, longest, and unfinished work, the
Laws. Plato's engagement with the Greek poetic tradition has long
been recognized as foundational in the history of literary
criticism, but the broader critical and philosophical significance
of the Laws has been largely ignored. Although Plato is often
thought hostile to mimetic art, famously banishing poets from the
ideal city of the Republic, this book shows that in his final
dialogue Plato made a striking about-face, proposing to
rehabilitate Athenian performance culture and envisioning a city,
in which poetry, music, song, and dance are instrumental in the
cultivation of philosophical virtues. The psychological
underpinnings of aesthetic experience and the power of mimetic art
to predispose a society to specific kinds of constitutions are
central themes throughout this study. Plato's views of the
performative properties of language and genre receives systematic
treatment in this study for the first time. Performance as a
mechanism of sexual construction-a network of social practices
uniquely suited to communicate and enforce normative conceptions of
gender and erotic pleasure-is another focus, with special attention
given to positions occupied by women in the culture envisaged in
the Laws. As a whole, Marcus Folch's book provides an integrated
interpretation of Plato's final dialogue with the Greek poetic
tradition, an exploration of the dialectic between philosophy and
mimetic art, which will be of interest to anyone concerned with
understanding ancient Greek performance and the emergence of
philosophical discourse in fourth-century Athens.
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