Margaret Finnegan's pathbreaking study of woman suffrage from
the 1850s to the Nineteenth Amendment in 1920 reveals how activists
came to identify with consumer culture and employ its methods of
publicity to win popular support through carefully crafted images
of enfranchised women as "personable, likable, and modern."
Drawing on organization records, suffragists' papers and
memoirs, and newspapers and magazines, Finnegan shows how women
found it in their political interest to ally themselves with the
rise of consumer culture--but the cost of this alliance was a
concession of possibilities for social reform. When manufacturers
and department stores made consumption central to middle-class
life, suffragists made an argument for the ballot by comparing good
voters to prudent comparison shoppers. Through suffrage commodities
such as newspapers, sunflower badges, Kewpie dolls, and "Womanalls"
(overalls for the modern woman), as well as pantomimes staged on
the steps of the federal Treasury building, fashionable window
displays, and other devices, "Votes for Women" entered public space
and the marketplace. Together these activities and commodities
helped suffragists claim legitimacy in a consumer capitalist
society.Imaginatively interweaving cultural and political history,
"Selling Suffrage" is a revealing look at how the growth of
consumerism influenced women's self-identity.
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