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Ramon Llull's New Rhetoric - Text and Translation of Llull's rethorica Nova (Hardcover)
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Ramon Llull's New Rhetoric - Text and Translation of Llull's rethorica Nova (Hardcover)
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Modern histories of medieval culture often assert without
qualification that the oral exercise of public eloquence during the
European Middle Ages was limited to preaching by the clergy. The
classical art of rhetoric supposedly survived only as a written
subject for study in the schools. During the past thirty years,
however, knowledge of medieval rhetorical theory and practice has
grown tremendously. Historians and philologians have devoted
particular attention to the relationship between oral and written
communication in medieval Europe. Their investigations are
beginning to suggest -- not surprisingly -- that interest in
eloquence was not confined to the schools or clergy. Secular
officials arguing in princely courts or town halls, and laypeople
seeking to develop their learning or piety also cultivated an
interest in rhetoric. Given the paucity of testimony available, the
New Rhetoric of the Mallorcan lay theologian and philosopher Ramon
Llull (1232-1316) offers an exceptional witness to the non-academic
and non-clerical concern for eloquence. His proposals for new
Christian arts of communication are among the best evidence
available for assessing the diffusion of rhetorical doctrines from
the cloisters and schools into the courts, town halls, and private
chapels of Western Europe around 1300. Growing interest in Llull's
work and in medieval rhetoric have combined to produce this first
published edition. The first part on order shows how Llull's entire
program attempts to correlate ethical, metaphysical, and linguistic
categories into a single system of Anselmian "rightness." The next
section on beauty could almost form a complete art of preaching in
itself, thanks to the brief compilations of sermon material that it
includes. The broad range of discursive elements and techniques in
which Llull seeks verbal beauty makes this section very eclectic in
scope. Part three on knowledge attempts to explain the diffusion of
right linguistic and rhetorical doctrine almost exclusively through
the Divine Dignities and other categories of the Great Art. The
final section on love consists of ten proverbs regarding loving
speech, each explicated with an appropriate exemplum.
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