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Swing Along - The Musical Life of Will Marion Cook (Hardcover, New)
Loot Price: R1,254
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Swing Along - The Musical Life of Will Marion Cook (Hardcover, New)
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Renowned today as a prominent African-American in Music Theater and
the Arts community, composer, conductor, and violinist Will Marion
Cook was a key figure in the development of American music from the
1890s to the 1920s. In this insightful biography, Marva Griffin
Carter offers the first definitive look at this pivotal life's
story, drawing on both Cook's unfinished autobiography and his wife
Abbie's memoir. A violin virtuoso, Cook studied at Oberlin College
(his parents' alma mater), Berlin's Hochschule fur Musik with
Joseph Joachim, and New York's national Conservatory of Music with
Antonin Dvorak. Cook wrote music for a now-lost production of Uncle
Tom's Cabin for the Chicago World's Fair of 1893, and then devoted
the majority of his career to black musical comedies due to limited
opportunities available to him as a black composer. He was
instrumental in showcasing his Southern Syncopated Orchestra in the
prominent concert halls of the Unites States and Europe, even
featuring New Orleans clarinetist Sidney Bechet, who later
introduced European audiences to authentic blues. Once mentored by
Frederick Douglas, Will Marion Cook went on to mentor Duke
Ellington, paving the path for orchestral concert jazz. Through
interpretive and musical analyses, Carter traces Cook's successful
evolution from minstrelsy to musical theater. Written with his
collaborator, the distinguished poet Paul Lawrence Dunbar, Cook's
musicals infused American Musical Theater with African-American
music, consequently altering the direction of American popular
music. Cook's In Dahomey, hailed by Gerald Bordman as "one of the
most important events in American Musical Theater history," was the
first full-length Broadway musical to be written and performed by
blacks. Alongside his accomplishments, Carter reveals Cook's
contentious side- a man known for his aggressiveness, pride, and
constant quarrels, who became his own worst enemy in regards to his
career. Carter further sets Cook's life against the backdrop of the
changing cultural and social milieu: the black theatrical
tradition, white audiences' reaction to black performers, and the
growing consciousness and sophistication of blacks in the arts,
especially music.
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