Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Art of indigenous peoples
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Art, Nature, and Religion in the Central Andes - Themes and Variations from Prehistory to the Present (Paperback)
Loot Price: R1,206
Discovery Miles 12 060
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Art, Nature, and Religion in the Central Andes - Themes and Variations from Prehistory to the Present (Paperback)
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From prehistory to the present, the Indigenous peoples of the Andes
have used a visual symbol system-that is, art-to express their
sense of the sacred and its immanence in the natural world. Many
visual motifs that originated prior to the Incas still appear in
Andean art today, despite the onslaught of cultural disruption that
native Andeans have endured over several centuries. Indeed, art has
always been a unifying power through which Andeans maintain their
spirituality, pride, and culture while resisting the oppression of
the dominant society. In this book, Mary Strong takes a
significantly new approach to Andean art that links prehistoric to
contemporary forms through an ethnographic understanding of
Indigenous Andean culture. In the first part of the book, she
provides a broad historical survey of Andean art that explores how
Andean religious concepts have been expressed in art and how
artists have responded to cultural encounters and impositions,
ranging from invasion and conquest to international labor migration
and the internet. In the second part, Strong looks at eight
contemporary art types-the scissors dance (danza de tijeras), home
altars (retablos), carved gourds (mates), ceramics (ceramica),
painted boards (tablas), weavings (textiles), tinware
(hojalateria), and Huamanga stone carvings (piedra de Huamanga).
She includes prehistoric and historic information about each art
form, its religious meaning, the natural environment and
sociopolitical processes that help to shape its expression, and how
it is constructed or performed by today's artists, many of whom are
quoted in the book.
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