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New Turkes - Dramatizing Islam and the Ottomans in Early Modern England (Hardcover, New Ed)
Loot Price: R4,547
Discovery Miles 45 470
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New Turkes - Dramatizing Islam and the Ottomans in Early Modern England (Hardcover, New Ed)
Expected to ship within 12 - 19 working days
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Early Modern England was obsessed with the 'turke'. Following the
first Ottoman siege of Vienna in 1529 the printing presses brought
endless prayer sheets, pamphlets and books concerning this
'infidel' threat before the public in the vernacular for the first
time. As this body of knowledge increased, stimulated by a potent
combination of domestic politics, further Ottoman incursions and
trade, English notions of Islam and of the 'turke' became nuanced
in a way that begins to question the rigid assumptions of
traditional critical enquiry. New Turkes: Dramatizing Islam and the
Ottomans in Early Modern England explores the ways in which print
culture helped define and promulgate a European construction of
'Turkishness' that was nebulous and ever shifting. By placing in
context the developing encounters between the Ottoman and Christian
worlds, it shows how ongoing engagements reflected the nature of
the 'Turke' in sixteenth century English literature. By offering
readings of texts by artists, poets and playwrights - especially
canonical figures like Kyd, Marlowe and Shakespeare - a bewildering
variety of approaches to Islam and the 'turke' is revealed
fundamentally questioning any dominant, defining narrative of
'otherness'. In so doing, this book demonstrates how continuing
English encounters, both real and fictional, with Muslims
complicated the notion of the 'Turke'. It also shows how the
Anglo-Ottoman relationship - which was at its peak in the mid-1590s
- was viewed with suspicion by Catholic Europe, particularly the
apparent ritual and devotional similarities between England's
reformed church and Islam. That the 'new turkes' were not Ottoman
Muslims, but English Protestants, serves as a timely riposte to the
decisive rhetoric of contemporary conflicts and modern scholarly
assumption.
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