Why do we often teach English poetic meter by the Greek terms
iamb and trochee? How is our understanding of English meter
influenced by the history of England's sense of itself in the
nineteenth century? Not an old-fashioned approach to poetry, but a
dynamic, contested, and inherently nontraditional field, "English
meter" concerned issues of personal and national identity, class,
education, patriotism, militarism, and the development of English
literature as a discipline. "The Rise and Fall of Meter" tells the
unknown story of English meter from the late eighteenth century
until just after World War I. Uncovering a vast and unexplored
archive in the history of poetics, Meredith Martin shows that the
history of prosody is tied to the ways Victorian England argued
about its national identity. Gerard Manley Hopkins, Coventry
Patmore, and Robert Bridges used meter to negotiate their
relationship to England and the English language; George
Saintsbury, Matthew Arnold, and Henry Newbolt worried about the
rise of one metrical model among multiple competitors. The pressure
to conform to a stable model, however, produced reactionary
misunderstandings of English meter and the culture it stood for.
This unstable relationship to poetic form influenced the prose and
poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B.
Yeats, Ezra Pound, and Alice Meynell. A significant intervention in
literary history, this book argues that our contemporary
understanding of the rise of modernist poetic form was crucially
bound to narratives of English national culture.
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