For half a century after its introduction in Europe, printmaking
remained the province of a specially trained group of
professionals. What changed this situation was the invention of
etching, which allowed for print designs to be drawn directly onto
a plate so that any competent draftsman could try his hand at it.
Many artists did, and as a result, we now have a wide-ranging
corpus of major Renaissance and Baroque graphics made by artists
who, though famous in other fields, were novices in the print
medium.
Featuring essays by Michael Cole, Larry Silver, Susan Dackerman,
Graham Larkin, and exhibit co-curator Madeleine Viljoen, The Early
Modern Painter-Etcher spans three centuries, roughly from the time
of Durer to that of Goya, and looks at works executed by some
seventy painters for whom printmaking was primarily an experimental
field. The book accompanies an exhibition that opened in April 2006
at the University of Pennsylvania and will travel to the Ringling
Museum of Art and to the Smith College Museum of Art.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!