In this first interpretive narrative of the life and work of
Christian Wolff, Michael Hicks and Christian Asplund trace the
influences and sensibilities of a contemporary composer's atypical
career path and restless imagination. Written in full cooperation
with Wolff, including access to his papers, this volume is a
much-needed introduction to a leading avant-garde composer still
living, writing music, and speaking about his own work. Wolff has
pioneered various compositional and notational idioms, including
overtly political music, indeterminacy, graphic scores, and extreme
virtuosity. Trained as a classicist rather than a musician, Wolff
has never quite had both feet in the rarefied world of contemporary
composition. Yet he's considered a "composer's composer," with a
mind ensconced equally in ancient Greek tragedy and experimental
music and an eccentric and impulsive compositional approach that
eludes a fixed stylistic fingerprint. Hicks and Asplund cover
Wolff's family life and formative years, his role as a founder of
the New York School of composers, and the context of his life and
work as part of the John Cage circle, as well as his departures
from it. Critically assessing Wolff's place within the experimental
musical field, this volume captures both his eloquence and
reticence and provides insights into his broad interests and
activities within music and beyond.
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