First published in 1981, this book represents the first work in
English to give a comprehensive account of the revolutionary
developments in German theatre from the decline of Naturalism
through the Expressionist upheaval to the political theatre of
Piscator and Brecht. Early productions of Kaiser's From Morning
till Midnight and Toller's Transfiguration are presented as
examples of Expressionism. A thorough analysis of Piscator's
Hoppla, Such is Life! And Brecht's Man show the similarities and
differences in political theatre. In addition, elements of
stage-craft are examined - illustrated with tabulated information,
an extensive chronology, and photographs and designs of
productions.
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