First published in 1985, this book draws together the author's
artistic with analytical practices which had been developed over
many years of sociological enquiry. It interprets a 'work of art'
as a site on which a viewer or critic is invited to share in
questioning celebration of the painting itself. The author
reassesses modern painting's relation to its own origins and to
tradition in light of the emergence of 'postmodern' practice -
exploring its engagement of fundamental questions about language
and being. Also assessed is the relevance of the metaphors of
writings and Reading to an understanding of painting and viewing
practices - looking at painters' writings as well as
phenomenological and post-structuralist writers.
General
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