Advances in audiovisual technology, most notably the advent of the
popular usage of digital technology in the last few years, have
altered the face of popular television. Thanks to cable, satellite
and now digital technology, television broadcasts can reach an
international audience. The reaction from cultural critics has been
mixed. As the debate concerning the effects of new
telecommunications and audiovisual technology continues unabated,
this book examines the underlying hypothesis that collective
allegiances are moving away from the national paradigm towards the
global/local model and provides a balanced appraisal of the
depiction of a select number of group identities on television in
Britain and France.
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