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Books > Arts & Architecture > Photography & photographs > Special kinds of photography > Cinematography, television camerawork
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Directing Single Camera Drama (Paperback, Reissue)
Loot Price: R2,008
Discovery Miles 20 080
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Directing Single Camera Drama (Paperback, Reissue)
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Directing drama for the single camera is like no other form of
Filmmaking, or any other medium involving actors. Experience in
documentary or theatre may provide useful clues, but the techniques
for drama film directors, although not basically complicated, are
unique. Experienced directors in other spheres of directing will
find this book invaluable if they wish to move into single camera
drama, as will students setting out on their careers. Directing
Single Camera Drama is a synthesis of the skills required to bring
drama to the screen. Directing drama for the single camera is like
no other form of Filmmaking, or any other medium involving actors.
Experience in documentary or theatre may provide useful clues, but
the techniques for drama film directors, although not basically
complicated, are unique. Experienced directors in other spheres of
directing will find this book invaluable if they wish to move into
single camera drama, as will students setting out on their careers.
Directing Single Camera Drama is a synthesis of the skills required
to bring drama to the screen. A unique feature of the book is the
inclusion of ten short film drama scripts which need only half a
day's rehearsal and one short day's filming. Each have their
various technical demands, and they are arranged in ascending order
of dramatic and creative difficulty. They can be photocopied and
used for non-broadcast training drama exercises. Mike Crisp worked
as Production Manager, and later Director, on many classic BBC TV
series, such as Fawlty Towers, Porridge and Steptoe and Son. He
was, for 10 years, a senior producer with the BBC's TV Training
Department. He is the author of The Practical Director now in its
second edition and also published by Focal Press. Reviews:
'Directors in other spheres of directing who wish to move into
single camera drama will find this book invaluable, as will
students setting out on their careers.' Voice of the Listener
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