Resolutions 3 explores the wide-ranging implications of video art
and video-based production in contemporary media culture. It is the
third volume in a series composed of Resolution: A Critique of
Video Art (1986) and Resolutions: Contemporary Video Practices
(1996). While Resolution was one of the first critical texts on
video art in the United States, Resolutions was one of the first
books to address video as a medium across disciplines from
theoretical, activist, and transnational perspectives. Resolutions
3 articulates this legacy as a challenge to reengage with the
explosive viral reach of moving image-based content and its
infiltration into and impact on culture and everyday life. The
contributors to this work analyze what is now a fourth decade of
video practices as marked within and outside the margins of art
production, networked interventions, projected spectacle, museum
entombment, or 24/7 streaming. Intending to broaden, contest, and
amplify the mediated space that was defined by its two
predecessors, this volume investigates the ever-changing state of
video's deployment as examiner, tool, journal reportage,
improvisation, witness, riff, leverage, and document. Contributors:
Kathleen Ash-Milby, Smithsonian National Museum of the American
Indian; Myriam-Odile Blin, Rouen U, France; Nancy Buchanan,
California Institute of the Arts; Derek A. Burrill, U of
California, Riverside; Sean Cubitt, U of Melbourne; Faisal Devji,
New York U; Jennifer Doyle, U of California, Riverside; Jennifer
Friedlander, Pomona College; Kathy High, Rensselaer Polytechnic
Institute; Lucas Hilderbrand, U of California, Irvine; Nguyen Tan
Hoang, Bryn Mawr College; Kathy Rae Huffman; Amelia Jones, McGill
U; David Joselit, Yale U; Alexandra Juhasz, Pitzer College; Jessica
Lawless, Santa Fe Community College; Hea Jeong Lee; Jesse Lerner,
Pitzer College; Akira Mizuta Lippit, U of Southern California;
Lionel Manga; Laurence A. Rickels, U of California, Santa Barbara;
Kenneth Rogers, U of California, Riverside; Michael Rush, Eli and
Edythe Broad Art Museum, Michigan State U; Freya Schiwy, U of
California, Riverside; Beverly R. Singer, U of New Mexico; Yvonne
Spielmann, U of the West of Scotland; Catherine Taft, Getty
Research Institute; Holly Willis, U of Southern California.
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