This absorbing and award-winning biography tells the story of
the tragedies and triumphs of Clara Wieck Schumann (1819 1896), a
musician of remarkable achievements. At once artist, composer,
editor, teacher, wife, and mother of eight children, she was an
important force in the musical world of her time. To show how
Schumann surmounted the obstacles facing female artists in the
nineteenth century, Nancy B. Reich has drawn on previously
unexplored primary sources: unpublished diaries, letters, and
family papers, as well as concert programs. Going beyond the
familiar legends of the Schumann literature, she applies the tools
of musicological scholarship and the insights of psychology to
provide a new, full-scale portrait.
The book is divided into two parts. In Part One, Reich follows
Clara Schumann's life from her early years as a child prodigy
through her marriage to Robert Schumann and into the forty years
after his death, when she established and maintained an
extraordinary European career while supporting and supervising a
household and seven children. Part Two covers four major themes in
Schumann's life: her relationship with Johannes Brahms and other
friends and contemporaries; her creative work; her life on the
concert stage; and her success as a teacher.
Throughout, excerpts from diaries and letters in Reich's own
translations clear up misconceptions about her life and
achievements and her partnership with Robert Schumann. Highlighting
aspects of Clara Schumann's personality and character that have
been neglected by earlier biographers, this candid and eminently
readable account adds appreciably to our understanding of a
fascinating artist and woman.
For this revised edition, Reich has added several photographs
and updated the text to include recent discoveries. She has also
prepared a Catalogue of Works that includes all of Clara Schumann's
known published and unpublished compositions and works she edited,
as well as descriptions of the autographs, the first editions, the
modern editions, and recent literature on each piece. The Catalogue
also notes Schumann's performances of her own music and provides
pertinent quotations from letters, diaries, and contemporary
reviews."
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