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The Powers of Sound and Song in Early Modern Paris (Paperback)
Loot Price: R786
Discovery Miles 7 860
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The Powers of Sound and Song in Early Modern Paris (Paperback)
Series: Perspectives on Sensory History
Expected to ship within 12 - 17 working days
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The long and spectacular reign of Louis XIV of France is typically
described in overwhelmingly visual terms. In this book, Nicholas
Hammond takes a sonic approach to this remarkable age, opening our
ears to the myriad ways in which sound revealed the complex
acoustic dimensions of class, politics, and sexuality in
seventeenth-century Paris. The discovery in the French archives of
a four-line song from 1661 launched Hammond's research into the
lives of the two men referenced therein-Jacques Chausson and
Guillaume de Guitaut. In retracing the lives of these two men (one
sentenced to death by burning and the other appointed to the Ordre
du Saint-Esprit), Hammond makes astonishing discoveries about each
man and the ways in which their lives intersected, all in the
context of the sounds and songs heard in the court of Louis XIV and
on the streets and bridges of Paris. Hammond's study shows how
members of the elite and lower classes in Paris crossed paths in
unexpected ways and, moreover, how noise in the ancien regime was
central to questions of crime and punishment: street singing was
considered a crime in itself, and yet street singers flourished,
circulating information about crimes that others may have
committed, while political and religious authorities wielded the
powerful sounds of sermons and public executions to provide moral
commentaries, to control crime, and to inflict punishment. This
innovative study explores the theoretical, social, cultural, and
historical contexts of the early modern Parisian soundscape. It
will appeal to scholars interested in sound studies and the history
of sexuality as well as those who study the culture, literature,
and history of early modern France.
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