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Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)

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The Partimenti of Giovanni Paisiello - Pedagogy and Practice (Hardcover) Loot Price: R2,575
Discovery Miles 25 750
The Partimenti of Giovanni Paisiello - Pedagogy and Practice (Hardcover): Nicoleta Paraschivescu

The Partimenti of Giovanni Paisiello - Pedagogy and Practice (Hardcover)

Nicoleta Paraschivescu; Translated by Chris Walton

Series: Eastman Studies in Music

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Loot Price R2,575 Discovery Miles 25 750 | Repayment Terms: R241 pm x 12*

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Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students. Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory. The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord. Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations). The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.

General

Imprint: University of Rochester Press
Country of origin: United States
Series: Eastman Studies in Music
Release date: September 2022
First published: 2022
Authors: Nicoleta Paraschivescu
Translators: Chris Walton
Dimensions: 229 x 152 x 23mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 324
ISBN-13: 978-1-64825-036-1
Languages: English
Subtitles: German
Categories: Books > Arts & Architecture > Music > Composers & musicians
Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Arts & Architecture > Music > Techniques of music > General
Books > Music > Composers & musicians
Books > Music > Techniques of music > General
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
LSN: 1-64825-036-X
Barcode: 9781648250361

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