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Scripts of Blackness - Early Modern Performance Culture and the Making of Race (Hardcover)
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Scripts of Blackness - Early Modern Performance Culture and the Making of Race (Hardcover)
Series: RaceB4Race: Critical Race Studies of the Premodern
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Scripts of Blackness shows how the early modern mass media of
theatre and performance culture at-large helped turn blackness into
a racial category, that is, into a type of difference justifying
emerging social hierarchies and power relations in a new world
order driven by colonialism and capitalism. In this book, Noemie
Ndiaye explores the techniques of impersonation used by white
performers to represent Afro-diasporic people in England, France,
and Spain in the sixteenth and seventeenth centuries, using a
comparative and transnational framework. She reconstructs three
specific performance techniques-black-up (cosmetic blackness),
blackspeak (acoustic blackness), and black dances (kinetic
blackness)-in order to map out the poetics of those techniques, and
track a number of metaphorical strains that early modern playtexts
regularly associated with them. Those metaphorical strains, the
titular scripts of blackness of this book, operated across national
borders and constituted resources, as they provided spectators and
participants with new ways of thinking about the Afro-diasporic
people who lived or could/would ultimately live in their midst.
Those scripts were often gendered and hinged on notions of
demonization, exclusion, exploitation, animalization,
commodification, sexualization, consensual enslavement, misogynoir,
infantilization, and evocative association with other racialized
minorities. Scripts of Blackness attempts to grasp the stories that
Western Europeans told themselves through performative blackness,
and the effects of those fictions on early modern Afro-diasporic
subjects.
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