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Vital Crises in Italian Cinema - Iconography, Stylistics, Politics (Paperback)
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Vital Crises in Italian Cinema - Iconography, Stylistics, Politics (Paperback)
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First published in 1995 b, P. Adams Sitney's Vital Crises in
Italian Cinema has become a work of enduring importance in the
study of Italian films produced from 1945-1963. Examining over
twenty key works of the period, Sitney identifies and explores the
major thematic crises at the heart of seminal films produced by the
likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and
Federico Fellini. The debate over regional dialects and a unified
national language find reflection in Visconti's La terra trema and
its source, the novel I Malavoglia. The father-son relationship
serves as an opportunity to consider the tension between filial
loyalty and individuality in works such as Uccellacci e uccellini
and Ladri di biciclette. Romantic love juxtaposed with lust against
the background of Roman Catholic iconography exemplifies another
recurring predicament in the nation's cinema. Rocco i suoi
fratelli, La dolce Vita, and Accatone all feature female and male
characters grappling with the idea of woman as either the epitome
of Marian virtue or Magdalene-like sexuality. With each film under
discussion, Sitney provides the relevant political and cultural
context to demonstrate how the changes in Italian life found their
way into cinematic art. A new afterword extends the range of the
study to the early 1970s, as it considers the pastoral ideal
deflated by urban reality in Padre Padrone and L'albero degli
zoccoli.
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