In this thoughtful study, Phillip Goldstein shows how the
valuation of aesthetics in literary criticism has become
increasingly complicated in recent decades. Contemporary readers
not only need to look at the text's figures and structure, or the
author's intention but must take various media, including
television, movies, magazines, and newspapers; as well as the
sexuality, gender, race, or nationality of the author, media, or
text into account. In this context, Goldstein argues that the study
of modern reading practices most effectively preserves the autonomy
of aesthetics while revealing the changing social and historical
contexts of American readers. Using pluralist perspectives on
novels such as "Frankenstein," "Huckleberry Finn," "Native Son,"
"Light in August," and "Jazz," this study suggests that these new
historical conditions have markedly expanded and transformed the
ways in which Americans have defined and read literature in the
last two hundred years.
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