What have we learned from the first experiments performed at the
reconstructed Globe on Bankside? What light have recent productions
shed on the way Shakespeare intended his plays to be seen? Written
by the Leverhulme Fellow appointed to study and record actor use of
this new-old playhouse, here is the first analytical account of the
discoveries that have been made in its important first years, in
workshops, rehearsals and performances. It shows how actors,
directors and playgoers have responded to the demands of
'historical' constraints (and unexpected freedoms) to provide
valuable new insights into the dynamics of Elizabethan theatre.
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