In their sparse and isolated spaces, Samuel Beckett's figures
imagine the touch of a lost love or dream of the comfort and care
that the hands of a dear one might bring. Applying philosophical
writings that feature sensation, particularly touch, Trish McTighe
examines how Beckett's later work for stage and screen dramatizes
moments of contact between self and self, self and world, and self
and other. With implications for how gender and ethics can be
approached within Beckett's aesthetic, this study explores the
employment of haptic imagery as an alternative to certain dominant
codes of visual representation.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
