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Poetry and Radical Politics in fin de siecle France - From Anarchism to Action francaise (Hardcover)
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Poetry and Radical Politics in fin de siecle France - From Anarchism to Action francaise (Hardcover)
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Poetry and Radical Politics in fin de siecle France explores the
relations between poetry and politics in France in the last decade
of the 19th century. The period covers perhaps the most important
developments in modern French poetry: from the post-Commune climate
that spawned the 'decadent' movement, through to the (allegedly)
ivory-towered aestheticism of Mallarme and the Symbolists. In terms
of French politics, history and culture, the period was no less
dramatic with the legacy of the Commune, the political and
financial instability that followed, the anarchist campaigns, the
Dreyfus affair, and the growth of 'Action francaise'. Patrick
McGuinness argues that the anarchist politics of many Symbolist
poets is a reaction to their own isolation, and to poetry's anxious
relations with the public: too 'difficult' be be widely read,
Symbolist poets react to the loss of poetry's centrality among the
arts by delegating their radicalism to prose: they can call, in
prose, for the overthrow of the state and support anarchist
bombers, while at the same time writing poems about dribbling
fountains and dazzling sunsets for each other. This study
demonstrates the connections between the anti-Symbolist reaction of
the ecole romane of 1891 (in which Charles Maurras first made his
name), and the far-right cultural politics of Action francaise in
the early 20th century. It also redefines many of the debates about
late 19th-century French poetry by putting an argument forward for
the political engagement(s) of the Symbolists while the French
'intellectuel' as a national icon was being forged. McGuinness
insists on profound continuities between the end of the 19th
century and the beginning of the 20th in terms of cultural
politics, literary debate, and poetic theory, and shows how
politics is to be found in unexpected ways in the least
political-seeming literature of the period. The famous line by
Peguy, that everything begins in mysticism and ends in politics,
has an appealing sweep and grace. This book has its own more modest
and specific version of a similar journey: it begins in Mallarme
and ends in Maurras.
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