Over the last twenty five years, scholarship on Early Modern
women writers has produced editions and criticisms, both on various
groups and individual authors. The work on Mary Wroth has been
particularly impressive at integrating her poetry, prose and drama
into the canon. This in turn has led to comparative studies that
link Wroth to a number of male and female writers, including of
course, William Shakespeare. At the same time no single volume has
attempted a comprehensive comparative analysis. This book sets out
to explore the ways in which Wroth negotiated the discourses that
are embedded in the Shakespearean canon in order to develop an
understanding of her oeuvre based, not on influence and imitation,
but on difference, originality and innovation.
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