The Casa del Dean in Puebla, Mexico, is one of few surviving
sixteenth-century residences in the Americas. Built in 1580 by
Tomas de la Plaza, the Dean of the Cathedral, the house was
decorated with at least three magnificent murals, two of which
survive. Their rediscovery in the 1950s and restoration in 2010
revealed works of art that rival European masterpieces of the early
Renaissance, while incorporating indigenous elements that identify
them with Amerindian visual traditions.
Extensively illustrated with new color photographs of the
murals, The Casa del Dean presents a thorough iconographic analysis
of the paintings and an enlightening discussion of the relationship
between Tomas de la Plaza and the indigenous artists whom he
commissioned. Penny Morrill skillfully traces how native painters,
trained by the Franciscans, used images from Classical mythology
found in Flemish and Italian prints and illustrated books from
France--as well as animal images and glyphic traditions with
pre-Columbian origins--to create murals that are reflective of Don
Tomas's erudition and his role in evangelizing among the
Amerindians. She demonstrates how the importance given to rhetoric
by both the Spaniards and the Nahuas became a bridge of
communication between these two distinct and highly evolved
cultures. This pioneering study of the Casa del Dean mural cycle
adds an important new chapter to the study of colonial Latin
American art, as it increases our understanding of the process by
which imagery in the New World took on Christian meaning.
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