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Altman and After - Multiple Narratives in Film (Hardcover)
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Altman and After - Multiple Narratives in Film (Hardcover)
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In American cinema, films with multiple plots can be traced back to
Grand Hotel in 1932, but the form was used only sporadically in
subsequent decades. However, filmmakers of the 1970s and 80s,
notably Robert Altman and Woody Allen, repeatedly employed complex
narratives to weave sprawling stories in their films. Later
filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong
Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple
plotlines, a device that eventually achieved mainstream
respectability in such Oscar winners as Traffic and Crash. In the
past two decades, more than 200 films utilizing some variation of
this format have appeared worldwide. In Altman and After: Multiple
Narratives in Film, Peter Parshall carefully examines films that
feature various plotlines. Parshall asserts that although this form
may lose some of the close psychological identification and forward
drive of linear narratives, such films gain a corresponding
strength by developing thematic relationships in the various story
lines. In each of these chapters, Parshall examines a different
example of the multi-plot form, such as network narrative and the
multiple-draft narrative, demonstrating that the structure of each
is central to their artistry. He also argues that these devices
open up a variety of creative vistas, a strength that appeals to
directors and audiences alike. Films studied in this book include
Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of
Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of
Veronique, and Run Lola Run. A long overdue examination of this
unique cinematic form, Altman and After will appeal to scholars,
students, and fans eager to learn more about complex-narrative
films."
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