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Commonwealth of Letters - British Literary Culture and the Emergence of Postcolonial Aesthetics (Paperback)
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Commonwealth of Letters - British Literary Culture and the Emergence of Postcolonial Aesthetics (Paperback)
Series: Modernist Literature and Culture
Expected to ship within 12 - 19 working days
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Commonwealth of Letters examines midcentury literary institutions
integral to modernism and postcolonial writing. Several
organizations central to interwar modernism, such as the BBC,
influential publishers, and university English departments, became
important sites in the emergence of postcolonial literature after
the war. How did some of modernism's leading figures of the
1930s-such as T.S. Eliot, Louis MacNeice, and Stephen Spender-come
to admire late colonial and early postcolonial literature in the
1950s? Similarly, why did late colonial and early postcolonial
writers-including Chinua Achebe, Kamau Brathwaite, Claude McKay,
and Ngugi wa Thiong'o-actively seek alliances with metropolitan
intellectuals? Peter Kalliney's original and extensive archival
work on modernist cultural institutions demonstrates that this
disparate group of intellectuals had strong professional incentives
to treat one another more as fellow literary professionals, and
less as political or cultural antagonists. Surprisingly,
metropolitan intellectuals and their late colonial counterparts
leaned heavily on modernist theories of aesthetic autonomy to
facilitate their collaborative ventures. For white, metropolitan
writers, T.S. Eliot's notion of impersonality could help recruit
new audiences and conspirators from colonized regions of the world.
For black, colonial writers, aesthetic autonomy could be used to
imagine a literary sphere uniquely resistant to the forms of racial
prejudice endemic to the colonial system. This strategic
collaboration did not last forever, but as Commonwealth of Letters
shows, it left a lasting imprint on the ultimate disposition of
modernism and the evolution of postcolonial literature.
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