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The Disappearing Christ - Secularism in the Silent Era (Hardcover)
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The Disappearing Christ - Secularism in the Silent Era (Hardcover)
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At the turn of the twentieth century, American popular culture was
booming with opportunities to see Jesus Christ. From the modernized
eyewitness gospel of Ben-Hur to the widely circulated passion play
films of Edison, Lumiere, and Pathe; from D. W. Griffith's
conjuration of a spectral white savior in Birth of a Nation to W.
E. B. Du Bois's "Black Christ" story cycle, Jesus was constantly
and inventively visualized across media, and especially in the new
medium of film. Why, in an era traditionally defined by the triumph
of secular ideologies and institutions, were so many artists
rushing to film Christ's miracles and use his story and image to
contextualize their experiences of modernity? In The Disappearing
Christ, Phillip Maciak examines filmic depictions of Jesus to argue
that cinema developed as a model technology of secularism, training
viewers for belief in a secular age. Negotiating between the magic
trick and the documentary image, the conflicting impulses of faith
and skepticism, the emerging aesthetic of film in this period
visualized the fraught process of secularization. Cinematic
depictions of an appearing and disappearing Christ became a
powerful vehicle for Americans to navigate a rapidly modernizing
society. Studying these films alongside a multimedia,
interdisciplinary archive of novels, photographs, illustrations,
and works of theology, travel writing, and historiography, The
Disappearing Christ offers a new narrative of American cultural
history at the intersection of cinema studies and religious
studies.
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