In the late twelfth century, Japanese people called the
transitional period in which they were living the "age of
warriors." Feudal clans fought civil wars, and warriors from the
Kanto Plain rose up to restore the military regime of their shogun,
Yoritomo. The whole of this intermediary period came to represent a
gap between two stable societies: the ancient period, dominated by
the imperial court in Heian (today's Kyoto), and the modern period,
dominated by the Tokugawa "bakufu" based in Edo (today's
Tokyo).
In this remarkable portrait of a complex period in the evolution
of Japan, Pierre F. Souyri uses a wide variety of sources --
ranging from legal and historical texts to artistic and literary
examples -- to form a magisterial overview of medieval Japanese
society. As much at home discussing the implications of the
morality and mentality of "The Tale of the Heike" as he is
describing local disputes among minor vassals or the economic
implications of the pirate trade, Souyri brilliantly illustrates
the interconnected nature of medieval Japanese culture.
The Middle Ages was a decisive time in Japan's history because
it confirmed the country's national identity. New forms of cultural
expression, such as poetry, theater, garden design, the tea
ceremony, flower arranging, and illustrated scrolls, conveyed a
unique sensibility -- sometimes in opposition to the earlier
Chinese models followed by the old nobility. "The World Turned
Upside Down" provides an animated account of the religious,
intellectual, and literary practices of medieval Japan in order to
reveal the era's own notable cultural creativity and enormous
economic potential.
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