Widely regarded as a turning point in American independent
cinema, Steven Soderbergh's sex, lies, and videotape (1989)
launched the career of its twenty-six-year-old director, whose
debut film was nominated for an Academy Award and went on to win
the Cannes Film Festival's top award, the Palme d'Or. The
Philosophy of Steven Soderbergh breaks new ground by investigating
salient philosophical themes through the unique story lines and
innovative approaches to filmmaking that distinguish this
celebrated artist.
Editors R. Barton Palmer and Steven M. Sanders have brought
together leading scholars in philosophy and film studies for the
first systematic analysis of Soderbergh's entire body of work,
offering the first in-depth exploration of the philosophical ideas
that form the basis of the work of one of the most commercially
successful and consistently inventive filmmakers of our time.
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