Rachel Greenwald Smith's Affect and American Literature in the Age
of Neoliberalism examines the relationship between American
literature and politics in the twentieth- and twenty-first
centuries. Smith contends that the representation of emotions in
contemporary fiction emphasizes the personal lives of characters at
a time when there is an unprecedented, and often damaging, focus on
the individual in American life. Through readings of works by Paul
Auster, Karen Tei Yamashita, Ben Marcus, Lydia Millet, and others
who stage experiments in the relationship between feeling and form,
Smith argues for the centrality of a counter-tradition in
contemporary literature concerned with impersonal feelings:
feelings that challenge the neoliberal notion that emotions are the
property of the self.
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