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The Ambivalences of Medieval Religious Drama (Hardcover)
Loot Price: R1,948
Discovery Miles 19 480
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The Ambivalences of Medieval Religious Drama (Hardcover)
Series: Figurae: Reading Medieval Culture
Expected to ship within 12 - 19 working days
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What is medieval religious drama, and what function does it serve
in negotiating between the domains of theology and popular life?
This book aims to answer these questions by studying three sets of
these dramas: tenth-century Easter plays, twelfth-century Adam
plays, and fifteenth- and sixteenth-century Passion plays.
However, the author's intent is not to present a genre history.
Instead, he seeks to mediate between the historical development of
the plays and a systematic unfolding of the archetypal structure
within which the plays grasp salvation history and act it out. His
theoretical approach is grounded in the work of Niklas Luhmann,
which strongly emphasizes the priority of social functions over
institutional structures.
The book's textual basis is truly European--including works from
Germany, France, England, and Spain--and goes beyond "literary"
texts to engage a range of sources from sparsely documented folk
rituals to high medieval theology. These sources enable the author
to encompass the complex structure of popular feasts and religious
celebrations that centered on Easter. His methodological program--a
systematically informed, structured analysis sensitive to the
historical context--identifies recurrent patterns of distortion in
these feasts and celebrations vis-a-vis their model, the chapters
of Scripture dealing with Christ's death and resurrection.
Eschewing the conventional view of medieval theater as a depiction
of medieval theology, the author convincingly shows that below
their textual surfaces, the Easter theatrical and religious
celebrations must have served as collective rituals of compensation
in whose context the figure of Christ (often, specifically, the
actor incarnating the figure) took over the role of the scapegoat.
This demonstrates another of the book's major contributions, that a
collaboration between medieval studies and contemporary cultural
theory is not only viable but richly rewarding.
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