This book examines dystopian fiction's recent paradigm shift
towards urban dystopias. It links the dystopian tradition with the
literary history of the novel, spatio-philosophical concepts
against the backdrop of the spatial turn, and systems-theory. Five
dystopian novels are discussed in great detail: China Mieville's
Perdido Street Station (2000) and The City & The City (2009),
City of Bohane (2011) by Kevin Barry, John Berger's Lilac and Flag
(1992), and Divided Kingdom (2005) by Rupert Thomson. The book
includes chapters on the literary history of the dystopian
tradition, the referential interplay of maps and literature, urban
spaces in literature, borders and transgressions, and on
systems-theory as a tool for charting dystopian fiction. The result
is a detailed overview of how dystopian fiction constantly adapts
to - and reflects on - the actual world.
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