Film historian Carney (Film and American Studies/Boston Univ.)
explores the cinematic philosophy and practices of maverick actor
and director John Cassavetes (1929-89). Carney did a prodigious
amount of research to prepare this thorough, admiring, and even
affectionate examination of Cassavetes's films. He interviewed
Cassavetes many times, spoke with virtually everyone who had ever
worked with him, viewed every inch of relevant footage he could
acquire, studied every interview ever granted by the loquacious
filmmaker, and read the multiple versions of Cassavetes's
screenplays. A compulsive reviser, Cassavetes does not deserve, in
the author's view, his reputation as a director of improvised
productions. Instead, he was a ferocious, tireless worker, a man
who would do just about anything to complete a film (or find a
booking for it), a director who would manipulate cast and crew to
achieve an effect he felt he could achieve no other way. Carney is
less interested in the ordinary biographical facts of Cassavetes's
life than he is in his artistic temperament and credo, and so the
births of his children and other milepost moments do not rate much
attention. An exception is his tempestuous relationship with his
wife, actress Gena Rowlands, who earned an Academy Award nomination
in what is probably Cassavetes's best-known film, "A Woman Under
the Influence". In most cases, Carney devotes an entire chapter to
each film, beginning with "Shadows "(screened in 1958) and ending
with "Love-Streams "(1984). The author's technique is to let
Cassavetes speak for himself whenever possible, so the text is
largely an anthology of the filmmaker's published and previously
unpublished comments on his life and work, intercut with Carney's
transitions, explanations, and revisions. (In interviews, as Carney
shows repeatedly, Cassavetes often considered the truth a boring
companion who ought to remain silent.) Oddly, although the volume
displays an indefatigable scholarship, it lacks some of the
scholarly apparatus that would make it more useful for subsequent
students and scholars-e.g., endnotes and an index. Fascinating
footage of the mind and heart of an American original. (48 b&w
illustrations) (Kirkus Reviews)
Since his death in 1989, John Cassavettes has become increasingly renowned as a cinematic hero—a renegade loner who fought the Hollywood system, steering his own creative course in a career spanning thirty years. Having already established himself as an actor, he struck out as a filmmaker in 1959 with Shadows, and proceeded to build a formidable body of work, including such classics as Faces, Woman Under the Influence, The Killing of a Chinese Bookie, and Gloria. In Cassavettes on Cassavettes, Ray Carney presents the great director in his own words—frank, uncompromising, humane, and passionate about life and art.
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