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For the End of Time - The Story of the Messiaen Quartet (Hardcover, Updated with New Material)
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For the End of Time - The Story of the Messiaen Quartet (Hardcover, Updated with New Material)
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The clarinetist Rebecca Rischin has written a captivating book....
Her research dispels several long-cherished myths about the 1941
premiere.... Rischin lovingly brings to life the other
musicians-Etienne Pasquier, cellist; Henri Akoka, clarinetist; and
Jean Le Boulaire, violinist-who played with Messiaen, the pianist
at the premiere."-Alex Ross, The New Yorker "This book offers a
wealth of new information about the circumstances under which the
Quartet was created. Based on original interviews with the
performers, witnesses to the premiere, and documents from the
prison camp, this first comprehensive history of the Quartet's
composition and premiere held my interest from beginning to end....
For the End of Time touches on many things: faith, friendship,
creativity, grace in a time of despair, and the uncommon human
alliances that wartime engenders."-Arnold Steinhardt, Chamber
Music"The clarification of the order of composition of the
movements is just one of the minor but cumulatively significant
ways in which Rischin modifies the widely accepted account of the
events at Stalag VIII A.... For the End of Time is a thorough and
readable piece of investigative journalism that clarifies some
important points about the Quartet's genesis."-Michael Downes,
Times Literary Supplement The premiere of Olivier Messiaen's
Quartet for the End of Time on January 15, 1941, has been called
one of the great stories of twentieth-century music. Composed while
Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A,
the work was performed under the most trying of circumstances: the
temperature, inferior instruments, and the general conditions of
life in a POW camp.Based on testimonies by the musicians and their
families, witnesses to the premiere, former prisoners, and on
documents from Stalag VIII A, For the End of Time examines the
events that led to the Quartet's composition, the composer's
interpretive preferences, and the musicians' problems in execution
and how they affected the premiere and subsequent performances.
Rebecca Rischin explores the musicians' life in the prison camp,
their relationships with each other and with the German camp
officials, and their intriguing fortunes before and after the
momentous premiere. This paperback edition features supplementary
texts and information previously unavailable to the author about
the Quartet's premiere, Vichy and the composer, the Paris premiere,
a recording featuring Messiaen as performer, and an updated
bibliography and discography.
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