More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups, whatever their size.

More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups, whatever their size.

More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups, whatever their size.

More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups, whatever their size.

More String Time Joggers is an exciting collection from the authors of the award-winning Fiddle Time series. It provides enjoyable and inventive ensemble material for all string groups, in flexible scoring (for violin, viola, cello, and double bass with piano or CD accompaniment) from two parts to large string ensemble. There are pupil books with lively illustrations for violin, viola, cello, and double bass.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement. For the first time, violinists can perform the original solo line as part of a string quartet, while also joining the other players for the longer tutti sections. Perfect as a rehearsal tool in preparation a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement, which features the original solo line as part of a string sextet. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement. For the first time, violinists can perform the original solo line as part of a string quartet, while also joining the other players for the longer tutti sections. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement, which features the original solo line as part of a string sextet. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

Filled with the spontaneous melodic invention and rhythmic variety that characterize his orchestral works, Dvorak's most celebrated creation, Symphony No. 9, "From the New World," echoes the folk spirit of his native Czechoslovakia as well as American influences. And the delightful freshness and uninhibited emotionalism of Symphony No. 8 have contributed to its lasting success.

This study score marks the first publication of a previously little-known early work for chamber orchestra by Vaughan Williams. He started composing Harnham Down in 1904, completing the work in 1907. Over four decades later Vaughan Williams recalled the main theme of the work in his Oxford Elegy, which sets the Matthew Arnold poem (he Scholar Gypsy) that was prefaced in the original score to Harnham Down. The score has been edited by James Francis Brown and includes an introduction by the editor.

"Reading "The Beethoven Quartet Companion made me want to listen to the quartets again from a new sociological as well as musical perspective. It is an invaluable guide not only for professional and amateur musicians but also for anyone who is curious about culture and wants to find out more."--Yo-Yo Ma

"These essays are the most readable, useful, and well-informed commentary available today on these masterworks. Michael Steinberg's 'program notes' to each quartet, directed at once to the musical beginner and to the expert, are as eloquent and persuasive as popular writing about music can get. . . . His essays are followed by equally expert and accessible contributions by other masters on The Master, providing literate music lovers with the context and equipment for a richer enjoyment and clearer understanding of these sixteen unique conversations among two violins, a viola, and a cello."--David Littlejohn, author of "The Ultimate Art: Essays Around and About Opera

"A fine collection of essays to assist the music lover in the seemingly endless quest to illuminate the Beethoven string quartets."--Arnold Steinhardt, The Guarneri String Quartet

"This book delivers on the implied promise of its title--it provides a lively, readable, and wide-ranging introduction to the quartets. Readers at many levels of experience will find it profitable."--Lewis Lockwood, author of "Beethoven: Studies in the Creative Process

The Two pieces for violin and piano, 'Canzonetta' and 'Scherzetto', were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume.

As both composer and critic, Peggy Glanville-Hicks contributed to the astonishing cultural ferment of the mid-twentieth century. Her forceful voice as a writer and commentator helped shape professional and public opinion on the state of American composing. The seventy musical works she composed ranged from celebrated operas like Nausicaa to intimate, jewel-like compositions created for friends. Her circle included figures like Virgil Thomson, Paul Bowles, John Cage, and Yehudi Menuhin. Drawing on interviews, archival research, and fifty-four years of extraordinary pocket diaries, Suzanne Robinson places Glanville-Hicks within the history of American music and composers. "P.G.H."--affectionately described as "Australian and pushy"--forged alliances with power brokers and artists that gained her entrance to core American cultural entities such as the League of Composers, New York Herald Tribune, and the Harkness Ballet. Yet her impeccably cultivated public image concealed a private life marked by unhappy love affairs, stubborn poverty, and the painstaking creation of her artistic works. Evocative and intricate, Peggy Glanville-Hicks clears away decades of myth and storytelling to provide a portrait of a remarkable figure and her times.

Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.

In 1921, insurance executive Charles Ives sent out copies of a piano sonata to two hundred strangers. Laden with dissonant chords, complex rhythm, and a seemingly chaotic structure, the so-called Concord Sonata confounded the recipients, as did the accompanying book, Essays before a Sonata . Kyle Gann merges exhaustive research with his own experience as a composer to reveal the Concord Sonata and the essays in full. Diffracting the twinned works into their essential aspects, Gann lays out the historical context that produced Ives's masterpiece and illuminates the arguments Ives himself explored in the Essays . Gann also provides a movement-by-movement analysis of the work's harmonic structure and compositional technique; connects the sonata to Ives works that share parts of its material; and compares the 1921 version of the Concord with its 1947 revision to reveal important aspects of Ives's creative process. A tour de force of critical, theoretical, and historical thought, Charles Ives's Concord provides nothing less than the first comprehensive consideration of a work at the heart of twentieth century American music.

This is a performing edition of Walton's String Quartet in A minor, based on the edition published in the Walton Edition Chamber Music volume. The work was first performed in 1947 and later revised as the Sonata for String Orchestra.

This book is the first detailed contextual study of string quartets in Beethoven's Vienna, at a time when that genre reigned supreme among the different chamber genres. Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the 'private' sphere of music-making, it explores the 'cultivation' of string quartets by composers, critics, listeners, performers, publishers and patrons. The book highlights these parties' interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising at this time. We gain fresh insights into publishing and marketing, performance venues and practices, review culture, listening theories and practices, and composition in early nineteenth-century Vienna. Until now, the unique theatricality of chamber music, and the 'social' nature of its discourse, has been poorly appreciated. Cultivating String Quartets in Beethoven's Vienna addresses this misconception and enriches our understanding of this crucial period of change, in which concert life began and previously 'private' music was moved out onto the stage. NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.

Two of the Russian master's most popular compositions in an attractive and modestly priced reprint of authoritative Russian versions. New translation of original Russian footnotes. Overture his first masterpiece; Capriccio an evocative portrait of Mediterranean life and scenery.

for SATB and chamber ensemble Magnificat is a joyous celebration of the Virgin Mary, inspired by feast-day festivities in countries such as Spain, Mexico, and Puerto Rico. Following the example set by Bach, the Magnificat text is extended, incorporating the fifteenth-century English poem 'Of a Rose', the prayers 'Sancta Maria', and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores, for orchestra or chamber ensemble, are now available on sale for the first time in handsome, cloth-bound editions, and the newly set orchestral parts are available on hire.

The Beethoven Op. 61, Mendelssohn, Op. 64 and Tchaikovsky, Op. 35 concertos reprinted from the Breitkopf & Härtel editions.

This volume reproduces, from the authoritative Breitkopf & Hartel edition, three of Brahms's great orchestral favorites. Editor's commentary in German and English.

Generally considered to be Mendelssohn's finest orchestral works, here in one volume are: the complete Midsummer Night's Dream; Hebrides Overture; Calm Sea and Prosperous Voyage Overture; Symphony No. 3 in A ("Scottish"); and Symphony No. 4 in A ("Italian"). Breitkopf & Härtel edition. Study score.

for chamber ensemble This volume presents new editions of all Walton's mature chamber music, including the first publication on sale of the Toccata for Violin and Piano, String Quartet (1920-2), and Tema (per Variazioni) per 'Cello Solo.