The six string quartets comprising Joseph Haydn's Opus 20
(composed in 1772) are the first works in the genre to have
received consistent critical attention from writers on music. The
twenty-two quartets Haydn wrote before this date, though rarely
discussed by historians and theorists and seldom performed in
public, are nevertheless fundamental to the development of the
quartet and thus inseparable from Opus 20 itself. This thoughtful
discussion provides a basis upon which to study the quartet by
showing how the relationship among the four players can best be
understood as a musical dialogue. A methodology is developed for
analyzing these quartets by focusing on the characteristics of
string instruments that inform not only the style of the music, but
also the materials of the composition. The changing relationships
among the instruments reveal the level of sophistication evident in
Haydn's early works and attest to the affinity these works have
with his later masterpieces. Music scholars and educators will
appreciate the generous musical examples and clear prose that
explains the more detailed analysis of the Opus 20 set.
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