Schoenberg's quartets and trio, composed over a nearly
forty-year period, occupy a central position among
twentieth-century chamber music. This volume, based on papers
presented at a conference in honor of David Lewin, collects a wide
range of approaches to Schoenberg's pieces.
The first part of the book provides a historical context to
these works, examining Viennese quartet culture and traditions,
Webern's reception of Schoenberg's Second Quartet, Schoenberg's
view of the Beethoven quartets, and the early reception of
Schoenberg's First Quartet. The second part examines musical issues
of motive, text setting, meter, imitative counterpoint, and closure
within Schoenberg's quartets and trio.
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