Richard Cork is one of the most serious, most influential, and
best-informed art critics in Britain today. These four volumes
contain a selection of his articles from the seventies, eighties,
nineties, and the year 2000. The result is a fascinating chronicle
and invaluable record of a turbulent period that gives an overview
and survey of British art and its reception over the past thirty
years which is wholly unprecedented in its scope.
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