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The Devil in the Holy Water, or the Art of Slander from Louis XIV to Napoleon (Paperback)
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The Devil in the Holy Water, or the Art of Slander from Louis XIV to Napoleon (Paperback)
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Slander has always been a nasty business, Robert Darnton notes, but
that is no reason to consider it a topic unworthy of inquiry. By
destroying reputations, it has often helped to delegitimize regimes
and bring down governments. Nowhere has this been more the case
than in eighteenth-century France, when a ragtag group of literary
libelers flooded the market with works that purported to expose the
wicked behavior of the great. Salacious or seditious, outrageous or
hilarious, their books and pamphlets claimed to reveal the secret
doings of kings and their mistresses, the lewd and extravagant
activities of an unpopular foreign-born queen, and the affairs of
aristocrats and men-about-town as they consorted with servants,
monks, and dancing masters. These libels often mixed scandal with
detailed accounts of contemporary history and current politics. And
though they are now largely forgotten, many sold as well as or
better than some of the most famous works of the Enlightenment. In
The Devil in the Holy Water, Darnton-winner of the National Book
Critics Circle Award for his Forbidden Best-Sellers of
Pre-Revolutionary France and author of his own best-sellers, The
Great Cat Massacre and George Washington's False Teeth-offers a
startling new perspective on the origins of the French Revolution
and the development of a revolutionary political culture in the
years after 1789. He opens with an account of the colony of French
refugees in London who churned out slanderous attacks on public
figures in Versailles and of the secret agents sent over from Paris
to squelch them. The libelers were not above extorting money for
pretending to destroy the print runs of books they had duped the
government agents into believing existed; the agents were not above
recognizing the lucrative nature of such activities-and changing
sides. As the Revolution gave way to the Terror, Darnton
demonstrates, the substance of libels changed while the form
remained much the same. With the wit and erudition that has made
him one of the world's most eminent historians of
eighteenth-century France, he here weaves a tale so full of
intrigue that it may seem too extravagant to be true, although all
its details can be confirmed in the archives of the French police
and diplomatic service. Part detective story, part revolutionary
history, The Devil in the Holy Water has much to tell us about the
nature of authorship and the book trade, about Grub Street
journalism and the shaping of public opinion, and about the
important work that scurrilous words have done in many times and
places.
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