When Emily Bronte was studying music in Brussels in 1842, she was
drawn into the city's appreciation of Beethoven. After her exposure
to the works of the great composer, Bronte's creativity flourished
and she went on to compose what was to be her only novel--Wuthering
Heights.
In "Emily Bronte and Beethoven," Robert K. Wallace continues to
work from the perspective he developed in his "Jane Austen and
Mozart"--integrating two fields that have traditionally been kept
apart. Wallace compares Bronte and Beethoven through a close
examination of the Romantic traits that their works share.
Innovative and stimulating, Wallace's study extends literary
criticism into a new context where equilibrium, balance, proportion
and symmetry serve as a fulcrum to launch the reader into a new
understanding of the formal parallels, the moods and emotions that
connect music and literature.
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