This study presents an episodic history of an epic period in
British poetry, when bad times forced political subversion and
textual impaction upon its central figures and provisional
institutions. In the episodes which cover the Poetry Wars of the
1970s; the centrality of Bob Cobbing as poetry activist and the
SubVoicive poetry scene in 1980s London; and the cultural poetics
of Iain Sinclair in the 1990s and since; the focus is upon poetic
community rather than individuals.
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