This is a music theory text that presents a systematic approach to
polyphonic composition in the ecclesiastical style of Palestrina.
It is designed for use in beginning and intermediate level courses
in modal counterpoint and helps students develop a systematic and
reliable method to compare individual composers and stylistic
trends of the Renaissance. It contains a comprehensive collection
of Palestrina's works as well as selections from Lassus. Tear-out
exercises can be used in conjunction with the text.
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